more of a debate than i expected

If you missed my live debate with Darrin Nordahl on Treehugger on Wednesday, you can watch it anytime here.  (NOTE:  The debate starts around 4:08).

Darrin's thesis: Transit should be more fun. 

Mine: Transit should be more useful. 

But we also agree on many things.  He's a great guy, and moderator Lloyd Alter is worth watching, too.  Here.

welcome, readers from portland’s willamette week

If you've come from today's interview of me in Portland's free weekly Willamette Week, please note that while I certainly stand by my own words, my work on "rail vs bus" questions is easily misunderstood.  In fact, my work is all about giving you better ways to frame the question, ones that focus on the outcomes that we want.

For a quick intro to my work on the issue, see especially these articles:

And there's a lot more in the "Streetcars (Trams)" category.  A full list of categories is in the next column –>

… but above all, buy the book, after first reading the introduction!

 

book is ready! events being planned!

This post will be on top of the blog for a while. New material appears beneath it.

WalkerCover-r06I'm told the book is now in warehouses in both the US and Australia, ready to ship!  See the top of the next column for all the links —>

We're now planning some events around the book, including, so far:

Vancouver, Simon Fraser University downtown, Jan. 17, evening.

Los Angeles, UCLA Lewis Center, Jan 19, 6-8 pm.

Washington DC.  National Building Museum, Feb. 9.

We welcome other suggestions for events, ideally fitting my travel schedule (which is evolving in the third column, under my photo).  The email link is there as well!

basic questions about “cost/benefit analysis”

Transit projects, like all government projects, have costs and benefits, so one classic way to evaluate project proposals has been the "Cost/Benefit Analysis" (CBA).  Add up all the benefits, add up all the costs, divide benefits by costs and announce the Benefit/Cost Ratio (BCR).  If the it's below 1, which means the costs exceed the benefits, you kill the project.  The higher the it is, the better the project.

In the Financial Post (part of Canada's National Post), Peter Shawn Taylor argues that the Cost/Benefit Analysis is the best way to evaluate a project, and that bad projects are being advanced by a newfangled thing called Multiple Account Evaluation (MAE).  I encourage you to be bored by this dispute, but not before you understand it.  Neither of these methods is sufficient to end a passionate argument, and it's important to know why they never will be.

The problem with Cost/Benefit analysis is that it requires you to convert all the costs, and all the benefits, to the same currency.  That means you must know, with imperial confidence, the cost in dollars of such things as:

  • each minute of each customer's time
  • a particular ecosystem to be destroyed or preserved, which may involve various degrees of endangerment (of species, and of ecosystem types)
  • historic or cultural resources to be destroyed or relocated, or preserved.
  • the redevelopment potential of a particular area with or without the project, and the various benefits and costs arising from that potential.
  • impacts of the project on affordability, and thus on the future shift of disadvantaged persons from one area to another, with a range of social impacts.
  • benefits of electrification (quiet, no on-site pollution) on a neighborhood's quality of life, which impacts the previous point.
  • a particular aesthetic impact that makes the city distinctive in a new way, such as a stunning piece of architecture or a new relationship to a unique historic artefact or feature of landscape.

Several of these items require confident prediction of the future, and there is also a vast question of who pays these costs and reaps these benefits.  I am not criticizing the vast body of research that has gone into improving the conversion factors that turn all costs and benefits into a dollar value.  But unless we really agree on what endangered ecosystems or municipal self-esteem are worth, in dollars, it's reasonable to question whether Cost/Benefit analysis can deliver the last, decisive word on whether a project deserves public investment.

One Canadian solution is the Multiple Account Evaluation (MAE).  Different types of benefits and costs are calculated differently and not converted into a common currency.  As Taylor describes it:

Developed by the [British Columbia] government in 1993 and now in widespread use, MAE dispenses with a single spreadsheet of advantages and disadvantages and adopts instead numerous separate “accounts:” a financial account, social account, environmental account and so on. In this way, the actual monetary costs and benefits of a project become just one of many issues to be considered.

A similar idea is inherent in the term "triple bottom line," which refers to economic, environmental, and social impacts — positive and negative — of a proposal.  In either case, you end up with a series of parallel analyses that give different answers from the point of view of different kinds of cost and benefit. 

So then what do you do?  Taylor quotes emeritus Professor John Shortreed of the University of Waterloo:

“The problem with MAE is that each account is given equal weight,” he observes. “This suggests the billion-dollar cost of the project is no more or less important than any of the other accounts, however trivial.”

It's easy to weight each account equally, because that sounds fair, but of course equal weighting is just as arbitrary as any other weighting, because we're talking about things that are not directly comparable to each other, such as a social cost vs an environmental one.  If you could really compare those things, we'd be able to do cost/benefit analysis.

MAE and the "triple bottom line" are useful concepts because they reveal the arbitrariness of weighting.  Weighting implies decisions, for example, about the relative importance of social vs environmental impacts.  That means the weighting is a value judgment about what matters to us as humans, as a community, as a civilization.  Surely we should argue passionately, maybe even irrationally, about that! 

The real problem here is that in the interests of consensus, we tend to allow technical analysis to make important value judgments for us, which is to say, we want technical analysis to tell us who we are. 

When you hear the terms social benefit, environmental benefit, and economic benefit, which arouses the strongest positive feelings?  The answer is an important signal about your deeply-held values and world-view.  If a technical analyis is making that decision for you, are you sure it's the analysis you want to trust?

Cost/benefit analysis and Multiple Account Evaluation (or "triple bottom line") both conceal value judgments.  Cost/benefit analysis hides value judgments in the factors used to convert various costs and benefits into dollars.  MAE or "triple bottom line," by contrast, comes up with multiple ratios — social vs environmental, for example — and ends up having to weight them, which is where the judgment appears.  I prefer the MAE or "triple bottom line" only becuase it makes the arbitrariness of weighting more visible, and hence pushes the conversation about it closer to the public sphere. 

It's understandable that we don't want to compare a billion-dollar pricetag to unquantifiable but powerful benefits that people will weight differently.  But the whole idea of the triple bottom line is that (a) we have to make these comparisons and (b) there's no technical basis for an answer.  When I'm doing evaluation frameworks of any kind, I look for guidance on the weighting based on locally adopted goals, value statements, or public discussion.  If the goals haven't been articulated, I often suggest some public discussion about the weighting itself.  (Some evaluation processes do consult the public on weighting, but the question can sound too technical at that point so not enough people pay attention; I think more can be done to make these discussions more vivid and consequential.)

As usual, I don't have the answer, only a refinement of the question.  Should communities talk about how to weigh competing values that are in conflict?  Or should they let those decisions be made inside a technical process in the guise of analysis?  There's a very powerful argument for the latter: decisions get made.  It's a lot of work to educate a community enough that it can express its values and desires in a form that a project can implement, even before you impose the other value judgments attached to various funding sources.  I don't advocate either position entirely, but have argued the "discuss the values" position because it should be visible as a choice.  In many ways, this is the "democracy vs technocracy" debate that we're hearing right now in the context of the European Union.  It's a hard question, maybe too hard, but it's one of those great debates worth caring about.

san francisco: cable cars and green lights

A traumatic memory from my old neighborhood, still exactly as I remember it:

DSC00788

The California Street cable car still doesn't influence traffic signals, even in the era of GPS.  Here at California & Hyde, the car stops in the median of the street, requiring passengers to cross a traffic lane to board or alight.  Note the green traffic signal to the right, which tells motorists it's ok to speed past the cable car as people get on and off.  The man in the black coat and cap, waiting to board, must stand in a traffic lane that has the green signal.  To the motorist, he appears to be crossing illegally, yet it's the only way to get to the cable car.

This is not a high-traffic intersection.  Surely all lights should turn red when the cable car is present.

I lived a block from this point for seven years (1987-94) yet almost never used the California St. cable car.  This was why.

san francisco: the freeway spirit lives?

About 18 years ago, when I was chairing the Citizens Advisory Committee of the San Francisco County Transporation Authority, I remember a day when staff effusively advised that they'd gotten budget to put up green signs around the city to help motorists better identify the streets.  The green sign in this picture, for example.  

DSC00781

This is on Jones St. northbound approaching Sacramento St., but there are many similar cases.  (Trivia note: One of these signs appears in Gus Van Sant's fine film Milk, which is set in the 1970s.  It was the film's most glaring anachronism.)

Nobody asked my committee's opinion when these signs went up.  And today, briefly touring my old neighborhood, I find that these signs are still there.  Has nobody questioned them in all this time?

Most readers will see the issue at once, but if you don't, here we go:

The motorist faces a stopsign.  That means they should be looking at the crosswalk in front of them, and the other traffic approaching.  What's more, they should be stopped, or stopping, which means that their focal length should be short; they don't need a sign that's meant to be read at high speeds.   Yet high speed is implied by the green sign's large typesize, high position, and "freeway font"; the green sign has the same color, font, and typesize typically used on California freeways.

San Francisco's standard black and white streetsigns are the most legible I've encountered anywhere in the world.  They are a global model for simplicity, clarity, and grace.  There's one right below the green sign in this pic, in front of the tree.  The text on these signs is over 1.5 inches high.  If you can't read that black-on-white sign while stopped at a stopsign, or decelerating to it, your vision is so poor that you shouldn't have a drivers license.  Only seriously dangerous drivers need the green sign.

Then there's the question of focal height.  A sign placed very high, like the green sign here, is pulling the driver's eye away from the ground plane, which is where the squishable pedestrians and cyclists are.  Extreme type size also encourages reading the sign from further away, which means focusing further away, which means a greater risk of not seeing the pedestrian in front of you.

In short, the message of the green sign ("read me from a distance, like you're on a freeway, driving fast") contradicts the message of the stopsign and crosswalks.

Motorists choose their speed and focal length based on a range of signals, not just explicit commands and prohibitions.  These signs may be appropriate on high speed multi-lane streets, where you may need to change lanes to turn once you've recognized a cross-street.  But what are they doing at stopsigns?

I'm sure there are manuals that say this is compliant to standards.  But many bad ideas are endorsed by manuals.  Does the green sign make sense?  Argue with me.

DSC00785

PS:  "Wait, Jarrett didn't say he'd be in San Francisco, and he didn't call!"  Sorry, it was just two days, and I'll be back soon.